persian painting by jamshid madandar
نقاشی ایرانی paint persian مینیاتور miniaturpersian painting by jamshid madandar
نقاشی ایرانی paint persian مینیاتور miniaturافتتاح نمایشگاه مینیاتور ایرانی در کنیا
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افتتاح نمایشگاه مینیاتور ایرانی در کنیا
با همت رایزنی فرهنگی ج.ا.ا و همکاری اداره کل همکاری های فرهنگی و هنری سازمان فرهنگ و
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مینیاتور ایرانی در کنیا به نمایش گذاشته شد
گروه فرهنگ و هنر: مینیاتور ایرانی با همکاری رایزنی فرهنگی ایران در کنیا و اداره کل همکاری‌های فرهنگی و هنری سازمان فرهنگ و ارتباطات اسلامی از 16 تا 20 آذرماه، در موزه ملی این کشور به نمایش گذاشته شد.
به گزارش خبرگزاری قرآنی ایران(ایکنا)، در این نمایشگاه آثار مینیاتور «جمشید معدندار» هنرمند ایرانی به‌نمایش گذاشته شد.
«علی شریفی» سفیر ایران در کنیا طی سخنانی در مراسم افتتاحیه این نمایشگاه، گفت: هنر نقاشی دارای دو ویژگی مهم از جمله قدمت و ماندگاری است؛ ایران کشوری است که 5000 سال تاریخ مدون دارد و هنر مینیاتور در میان هنرهای ایرانی ویژگی خاصی دارد که توانسته در تاریخ ماندگار شود.
شریفی در ادامه اظهار امیدواری کرد که ارتباط ملت‌ها و دولت‌ها در کمال صلح و دوستی باشد و روابط روز به روز گسترش یابد.
همچنین جمشید معدن دار در این مراسم طی سخنانی به سابقه هنر مینیاتور، ویژگی‌های آن و فعالیت‌های خود اشاره کرد.
این نمایشگاه به مدت سه روز از تاریخ 16 آذرماه، در محل village market نایروبی برگزار شد.
منبع خبر:
biography
In the name of God
Jamshid Ma’dandar, was born in heeve, a small town, located in province of Tehran, in 1977.
His curiosity, family artistic atmosphere, besides, rooted interest and relation to the Iranian painting art, for which his father had attempted many years, caused him to be attracted by Iranian painting style, called miniature. So he was only 9 years old, won the prize of the painting provincial competition which was held in Savojbolagh schools.
After wards, he began to be interested in painting on leather. Along with studying at high school, he continued learning this style of painting.
He began to learn painting the miniatures, since 1991 strongly and professionally.
Then he become interested in music and was apprenticed to some Iranian famous musicians. When he graduated from high school. He devoted himself to painting and music completely, and too a part in different concerts and exhibitions.
In 1999 he won the prize of Tehran’s young’s competition’s and went to the country competitions.
At those competitions which were held in Ahvaz –Mahshahr , he was nominated as the chosen artist. In 2000, he was apprenticed to one of the famous Iranian painters in contemporary arts museum in 2009.
2 – The frist prize of fine arts in 2005- 2008.
3 –The nominated young in province of Tehran 2000.
4 –The first prize of fine arts competitions among Tehran’s and country’s young’s.
5 –Group exhibition in 1997.
6-The first prize of Savojbolagh’s school competition’s in 1985.
Persian Painting
Persian Painting
Painting in Iran dates back to those prehistoric times when the first inhabitants of the plateau recorded their observations of the world around them on the walls of their cave –dwellings or on pottery, some specimens of which survive to this day. A study of these early drawings reveals similarities with specimens of primitive art found else where, but one also finds a number of characteristics that are unique.
Persian painting, with its freedom of action, its boundless imaginativeness, its softly moving lines and its brilliant colours, allows the artist to create works of great beauty by expressing his true feelings with a skill, which his hands and his fingers have acquired over many years of God Almighty’s primeval and eternal qualities of perfection, is present in all elements of Persian painting, from the overall composition down to the last details. By drawing upon beauty, the Persian artist has been able to convey his intellectual precepts and his ideas to the viewer in a pleasing manner, so that the latter feels at home in the atmosphere which is created by the artist with his findings.
Geometric perspective gives a material aspect to a work of art, creating an effect of precise observation; it was deliberately shunned by the persian painters who was not bothered with the question of distances; he felt that perspective would compress his shapes and forms together, whereas he wanted to portray every object in its prime and to show every episode at its climax, at that breathtaking moment before the final act. Thus the Persian painter concluded that he should forget about the real side of nature, and concentrate instead on the metaphysical; he should paint the truth behind the objects and not their superficial appearances. By relying on philosophical and spiritual to his work.
samples of persian painting by jamshid madandar
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Iranian Miniature Art Exhibition
Nairobi National Museum (Museum Hill, Westlands)
December 7th (4.30pm) to 11th (8.30-4.30pm daily)
020 2214352/318833
Entrance is Free on the official opening day, Dec 7
The paintings of Jamshid Ma,dandar.
Organized by the Cultural Council of the Embassy of the Islamic, Republic Iran and National Museums of Kenya.
